Shellac allen biography of william shakespeare
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Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama [1° ed.] 1472465326, 9781472465320
Table of contents : • For historians of the Wars of the Roses, William Shakespeare is both a curse and a blessing: a curse because he immortalized the Tudor spin on fifteenth-century civil wars that helped justify Elizabeth I's occupation of the English throne; a blessing because, without Shakespeare's eight -play Plantagenet history cycle, hardly anyone beyond specialists in the history of the period would know of their existence. Moreover, no mere historian will ever paint a more compelling and dramatic picture of England's Lancastrian and Yorkist kings, and the Wars of the Roses, than William Shakespeare. • When I joined the School of Education at London Road in 1987 I was impressed by the resources. Nothing fancy—no interactive whiteboards, no internet access, but overhead projectors, carousel slide projectors, VHS and revolving green ‘blackboards’. There was a Technical Support Unit with a studio, and computers in the Old Red Building with the SPSS statistical package. In July 1988, Dr Bridie Raban (now Professor Raban) organised the distribution of an Amstrad PPC 640 . The 640 was a folding portable computer with two disc drives and a small monochrome screen. It was extremely heavy and came with a rucksack. To the original College staff, all the above would have been a real luxury. In the 1890s and early 1900s Reading College and University College Reading didn’t even have its own magic lantern. The following item appears in the Reading College accounts for the first time in 1898-9: ‘Hire of Hall and Lantern for Popular Lecture
Cover
Half Title
Series Page
Title Page
Copyright Page
Dedication
Contents
List of figures
Acknowledgements
A note on the text
List of abbreviations
Introduction: the stamp of the Bard
‘My dear Keats’: impressions of ‘WS’
Metaphors and ämne readings
The structure of this book
1 Technology, language, physiology
Sealing, coining, printing: interrelated technologies
The language of impression and early modern metaphor theory
Early modern physiology: imprinting and imprinted subjects
2 ‘[T]he stamp of Martius’: commoditised character and the technology of theatrical impression in Coriolanus
Valuing the imprint of ‘character’: theatre, charactery, criticism
Translating Plutarch, coining Coriolanus
Metatheatrical impressions: Burbage’s ‘painting’ and the technology of wounds
Sealing knowledge: the teatralisk contract and the impr William Shakespeare, the Wars of the Roses and the Historians
The book begins with an examination of the context, content and significance of each of the plays from Richard II to Richard III, and then considers the contemporary, near-contemporary and Tudor sources on which Shakespeare drew; how such authors chose to present fifteenth- century kings, politics and society; and in what ways histor London Road, 1987
The (Magic) Lantern