Koen hauser biography of abraham

  • With his Skulptura series, Dutch artist Koen Hauser creates moments of disrupted reality, editing warps and swirls into photos of artworks and artifacts.
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  • 1This controversial painting depicting the life-size figures of Saul and David portrayed against a dark nondescript background was acquired in 1898 by the then.
  • Experiencing History Holocaust Sources in Context

     

    This journal was written for my parents in the hope that it will reach both of them in good health. Their son: Pierre Feigl. Condom, August 27, 1942

     

    My Journal

    beginning on

     

    Thursday, August 27

    Mr. Weissmann had spoken to me about it. It was before lunch that the directress, coming back from Condom, called me to her office and told me what had happened to you, my dears!1 It was the Secours Suisse2 that wrote him that they had come looking for you. I thought I would go mad. At the same time she gave me the last letter dated the twenty-fifth, with the ration coupons and 5 francs. Right away I wrote the Sternefelds, asking them to look after you, our belongings, me. I went out with the Scouts. Later I came back and went to look for the milk. I thought a lot about you while waiting for your news.

     

    Friday, 28

    I went to communion and I prayed for you, my loved ones.

     

    Sa

    Introduction: provenance and treatment history

    1This controversial painting depicting the life-size figures of Saul and David portrayed against a dark nondescript background was acquired in 1898 by the then Mauritshuis director, Abraham Bredius. The painting was later bequeathed to the Mauritshuis in 1946 (fig. 1). Although doubts had been raised in the 19th century about Rembrandt’s authorship, up until 1969, when Horst Gerson dismissed it from Rembrandt’s oeuvre, the picture has always been regarded as one of Rembrandt’s greatest paintings1. Since then, there fryst vatten probably no other painting that has generated such differences of opinion as to Rembrandt’s role in the painting. Remarkably, the first mention of the painting occurs in the Caraman Paris auction of 1830, where its width is listed as some 20 cm wider: “T. h. 45 p. l. 67” [= c. 121.5 x 180.9 cm] (see table). Even though the painting had been studied very thoroughly in the late 1970s, and igen in the 1990s, a number o

  • koen hauser biography of abraham
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