Cherine anderson biography definition

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    Reggae fusion

    Fusion genre of reggae

    Reggae fusion fryst vatten a fusion genre of reggae that mixes reggae and/or dancehall with other genres, such as pop, rock, hip-hop/rap, R&B, jazz, funk, soul, disco, electronic, and Latin music, amongst others.[1][6][7]

    Origin

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    Artists have been blandning reggae with other genres from as early as the early 1970s, but initially they were described using terms that joined the various genres they performed (e.g. "reggae funk", "reggae pop", "reggae-disco"). It was not until the late 1990s that the term "reggae fusion" was coined.[8]

    The subgenre predominantly evolved from late 1980s and early 1990s dancehall music which instrumentals or "riddims" contained elements from the R&B and hip hop genres. Due to this, some consider dancehall artists such as Mad Cobra, Shabba Ranks, Super katt, Buju Banton and Tony Rebel as pioneers of reggae fusion.[9] For some of these artists, among them Buju B

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    live pon di riddim

    Welcome to the site of a woman whose feminist intersection is decidedly decolonial. I am Isis Semaj-Hall, a dub scholar with a PhD in Caribbean literature. I offer you cultural analysis and provocative thinking. I was born in Jamaica and grew up between the cool green, mountainous community of Stony Hill in St. Andrew, Jamaica and the vibrant, Caribbean diaspora that is the Bronx, New York.  Caribbeing has defined my immediate past and has sounded my African future. I create with the consideration that we in the Caribbean thrive in spite of a history of Euro/American dominant models of behavioral discourse and hegemonic thinking. I curate word and sound with the goal of uplifting past, present, and future generations not only to know more, but to know better.

    RIDDIM BECAUSE…Click here to read my blog “write pon di riddim”. The dancehall enthusiast will recognize my reference to the phrase “ride pon di riddim.” As a

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    It's a story I wanted to tell, a genre I wanted to celebrate, and a demographic that I genuinely believe needed to be highlighted and publically celebrated. I love reggae music, I love my Jamaican culture, and I wanted the world to know about the females in the reggae music industry, and what they represent.

    I was going to call the book "Reggae Divas"simply to honour the music and the vocalists that help reggae transcend beyond boundaries of gender. I've been thinking about it for years, gathering information, and mentally preparing myself for the exciting journey or research, music, and enlightenment. I set up social media sites, began the conversation with a few artists, their managers, and publicists...and then after a series of events in the past few weeks, I've decided that it is not my story to tell.

    As a writer, I realize all content is pretty much open for intepretation and study. As an artist, we receive inspiration from a variety of sources regardless of our cultural back